The Muted, Melancholy Synesthetics of “The History of Sound”

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The Muted, Melancholy Synesthetics of “The History of Sound”

www.newyorker.com

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The New YorkerEnglish · 2 days ago

In Oliver Hermanus’s period drama, Paul Mescal and Josh O’Connor play music lovers whose passions prove less tempestuous than isolating.

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